Live Life Purposefully

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An out-of-work British soprano in Paris, Victoria (Julie Andrews), falls in with a down-on-his-luck gay man (Tony Roberts), who gets the idea to present her as the world’s greatest female impersonator, Victor.

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Original soundtrack to the 2009 motion picture, composed by Ilan Eshkeri (Layer Cake) and performed by the London Metropolitan Orchestra. The film and soundtrack release feature an exclusive and brand new track from Sinead O’Connor. The Young Victoria is a dramatization of the turbulent first years of Queen Victoria’s rule, and her enduring romance with Prince Albert. EMI. 2009.

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Given the choice between staying clean and getting a job or going to prison, a hardened and heavily tattooed felon goes to work for a wealthy Palm Beach septegenarian in director/co-writer Dan Chinander’s tale of a most unlikely friendship. Victoria is all about attitude, and her Maori-like facial ink lets the world know that in no unconditional terms. Now forced to stand before a judge and plead for her freedom, the temperamental young rebel is forced to accept a position as a helpmate for Althea Jaffrey – an ageing woman whose elegantly refined image belies her open-minded belief system. Over the course of their time together, Victoria and Althea forge an unbreakable bond that finds the tough-as-nails twenty-something finally revealing the painful secrets of her dark past. On the surface these two may seem to share little in common, but they are kindred souls at heart and only through the power of Althea’s forgiveness will young Victoria learn to break free from the binds of her past. ~ Jason Buchanan, Rovi

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Located in the south of the African continent and located on the Zambia/Zimbabwe border, the Victoria Falls are one of the world’s most amazing and impressive wonders of nature.Between February and March when the Zambesi is at its strongest, an average of more than five hundred million litres of water shoot over edge of the waterfall every minute. Indeed, the dimensions of the Victoria Falls beats all records: at an average height of ninety seven metres, the Victoria Falls are around one and a half times as long and also twice as high as the world famous Niagara Falls in North America.Dense tropical rain forests now cover the former basins of earlier waterfalls and have thus created vegetation that would not normally thrive in the surrounding area.According British explorer, David Livingstone, the waterfalls were such an incredible sightthat even passing angels would have been awestruck and amazed by their outstanding beauty.Even a century and a half after they were first discovered the majestic Victoria Falls are still one of the greatest natural spectacles in the world.Source: Travel Video Store

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Emily Blunt. Rupert Friend. The young life of Britain’s longest standing monarch is beautifully reincarnated in this absorbing costume drama. Delving into Victoria’s youth as King William’s daughter and leading up to her marriage to Albert and her rise to the throne, this engaging story depicts a side of the queen not often seen on screen—a bold and sexually driven young woman. 2008/color/105 min/PG/widescreen.

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Located in the centre of Donetsk the Victoria hotel is the right choice for travelers on business and leisure

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Though initially recorded in the late ’60s and early ’70s, the tracks that make up Victoria’s sole release didn’t see wide release until nearly 30 years later, seeing a further re-release on Shadoks in 2005. Consisting of a small limited-edition album and a variety of further cuts from tape and acetate, Victoria’s appeal lies perhaps most in the sextet’s ability to get a lot out of limited resources. Opening cut “Peace” is almost surprisingly lush and detailed, triumphant brass parts mixing in with the exultant rock & roll from the band. From there the 15 songs on the CD wend their way, ranging from gentle contemplation to fuller-bodied affairs, less fried psychedelia than the kind of widescreen pop that coexisted with it. The exact lineup of the band is unclear — only four people are credited, not all of whom appear to have performed at the same time — but one Greg Ruban was the core songwriter and arranger, and it’s his ability to capture his band surprisingly well that ensures Victoria is more than simply a rare curio. In ways he simply reflects his time — “Gevaro” sounds like a lost cut by contemporary Santana, while the proto-prog of “Village of Etaf (Prelude and Overture)” goes on a touch too long in the end. Throughout, singers Maureen Deidelbaum, Cherryl Simpson, and Sharon Barton — or some combination of them — acquit themselves well enough. One of their best efforts is one of the quietly wittiest — “Never Knew Blues,” the title of which is both somewhat descriptive (the descending blues influence is mostly heard in the verses) and an apt section of lyric. Intriguingly, some of the best tunes never made the original LP release — “Mister Let Me Go” is a lovely piano-led country song à la the Band, while the autoharp-led “Wheels” feels almost like a cousin to the third Velvet Underground album thanks to the murky rhythm section and steady rumbling pace. ~ Ned Raggett, Rovi

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On a brash and fiery collection whose triumphant power lives up to the disc’s title, beloved Latin vocalist Cali Aleman has unpacked the hot salsa styles of Colombia and Puerto Rico — not to mention the hip street swagger of New York City — for a thrilling album that reunites the Grammy-nominated singer with the famed Original Latin All-Stars (“Macarena,” “I Like It Like That,” “Oye Como Va”). The nonstop dance vibe includes a scorching updated version of the biggest-selling salsa single of all time, “Torero,” written by Grammy-winning songwriter and arranger Nino Caicedo — who also contributes the dazzling title track. “Torero,” which sold 600,000 copies worldwide, was first recorded by Aleman’s Orquesta Guayacan and appeared on the 1993 album Los Batazos del Año. The Cuban-born and Miami-based Aleman, the true innovator of Spanglish songs in 1985 with “I Like It Like That,” has brought together many of the Original Latin All-Stars, including eight-time Grammy Award-winning percussionist Richard Bravo, four-time Grammy-winning pianist Quique Purizaga (who arranged the updated version of “Torero,” as well as “La Victoria”), and salsa trombonist Jorge Doval. The charming frontman describes La Victoria as an album of “nice colors and nice sounds,” but it’s more fun to imagine some crazy, salsa-fied dirty dancing — and lots of rising heat — going on as you listen. ~ Jonathan Widran, Rovi Performers: Ish Ledesma – Choir, Chorus; Bert Lavoy – Trombone; Cheito Quiñones – Choir, Chorus, Trumpet; David Karmiol – Guitar; Jorge Doval – Trombone; José Sibaja – Choir, Chorus, Trumpet; José Velázquez – Bass; Julio César González – Trumpet; Ramses Colón – Bass;

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While celebrating her wedding anniversary, 50-year-old Victoria discovers that her husband has been having a long-term affair with a much younger woman. A dedicated wife and mother, Victoria suddenly feels as if her life is over – until she meets Jer nimo, a younger man who gives her a second chance at true love. But her mother, daughters and ex-husband, all of whom blame her for the failure of her marriage, disapprove of the romance. Victoria now has to choose between her own happiness and that of the ungrateful family to whom she’s been so selflessly devoted.

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Melissa McClelland is the wife of Canadian singer/songwriter Luke Doucet, the excellent guitarist who made his name in Sarah McLachlan’s touring band by embroidering her melodies without calling attention to his playing. Like her husband’s, McClelland’s music is rootsy, with touches of blues, jazz, country, and folk-rock. Since they’re Canadian you could call it Canadiana, but it has found favor on Americana stations in the U.S., and the American influences are all over the music and the arrangements. Doucet produced this set, McClelland’s third solo outing, and he brings the same attention to detail to his wife’s work that he brings to his own studio efforts. All of McClelland’s tunes have compelling melodies and a considerable lyrical flair. She opens the album with the laid-back rockabilly of “A Girl Can Dream,” which calls to mind the early Elvis Presley staple “Tryin’ to Get to You” with its loping beat and Doucet’s restrained solo. McClelland sings of a gal unlucky in love trying to mend her ways with a wistful grace. “God Loves Me” is a sad blues that tells the story of a backwoods party girl who flirts with disaster every time she picks up a man; McClelland’s understated vocal, an ominous guitar solo from Doucet, and sustained chords from Steve O’Connor’s big Hammond B-3 give the tune a moody feel. “Victoria Day (May Flowers)” is a jaunty ragtime tune about living beyond one’s means, with McClelland’s lively vocal laughing at the thought of the money running out. Doucet drops a swinging jazzy Texas-flavored solo while the horn section blares with abandon. “I Blame You” melds a simple ’50s rock & roll progression, mariachi horns, and the feel of a classic salon song. The playful rhythm section complements McClelland’s devil-may-care delivery of the lyric. “Seasoned Lovers” a duet with Ron Sexsmith, is a sultry tune of long-lasting love, the tale of a couple slowly driving each other crazy and loving every minute of it. “When the Lights Went Off in Hogtown” is a bluesy tune inspired by the Toronto blackout of 2003, and showcases McClelland’s surreal humor and Doucet’s Wes Montgomery-style solo. With players gathered from the couple’s touring bands, Doucet has no trouble getting a clean, precise sound that lets each tune shine and keeps the focus where it belongs, on McClelland’s luminous vocals. ~ j. poet, Rovi Performers: Johann Lotter – Viola; Luke Doucet – Lap Steel Guitar, Vocals (Background), Fender Rhodes, Banjo, Guitar (Acoustic), Piano, Guitar (Electric); Rich Levesque – Bass (Upright), Vocals (Background), Bass (Electric); Steve O’Connor – Organ (Hammond), Piano;

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This filmed stage production of Victor/Victoria came to be through the collaboration of director Blake Edwards and his wife, singer and actress Julie Andrews. Andrews reprises her role as a female pretending to be a male who is impersonating a female, while Edwards once again directs. As with the 1982 film and 1996 Broadway productions of Victor/Victoria, Andrews’ character rises through the entertainment circuit by means of her unique gimmick, leaving a Chicago gangster and the rest of her audience thoroughly confused about her true sexuality and its implications. Filmed shortly before her vocal chords were unfortunately injured, this production of Victor/Victoria marks the last musical performance by Andrews prior to the damage incurred to her singing voice after undergoing subsequent surgery. ~ Tracie Cooper, Rovi

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After a year of remixing the like of Mylo, Plant Life, Husky Rescue, Funky Lowlives and Franz & Shape, Linus Loves returns to Breastfed with a DJ friendly 4-tracker ahead of their debut album. This 12 inch features ‘First Base’ backed with ‘The Theme’, ‘VH1′ & ‘The Victoria Principle’. 2005.

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